“Eyers is a confident singer with a strong, focused voice…There is no doubt that Eyers’ voice is rich and attractive, and remains so across all of its range.”

— Opera Today

“Jonathan Eyers’ Figaro dominates proceedings with his superbly gangling physique, grinning through his mellifluous barber’s baritone in the Largo al factotum (Figaro Figaro) and radiating infectious joy and light throughout.”

— Critics Circle

“If Laurence Olivier had done panto, he might have approached Jonathan Eyers’ Figaro.”

— The Guardian

“New Zealand-born, London-trained baritone Jonathan Eyers is a brisk and elegant Figaro. Both character and singer are bound to succeed.”

— Culture Whisper

“In a show-stealing performance, baritone Jonathan Eyers conveys the curmudgeon’s pompousness and gullibility with equal aplomb, commanding the stage with his imposing, fine singing and astute instinct for physical comedy.”

— The Stage

“The idiomatic cast ably realise the range of roles in this work, above all Jonathan Eyers’ wonderfully self-effacing performance as Bonafede, discharged with such brio in both his singing and choreography”

— Classical Source

“Jonathan Eyers’ Ben was equally engaging: a portrait of stoic perseverance and resourcefulness. Eyers has an appealing baritone and his diction was excellent.”

— Opera Magazine

“…wonderfully convincing musically and dramatically…having an easy stage presence and voice that hold[s] the ear with roundness of tone and crystal-clear diction..”

— Opera Today